哈洛加斯,要塞新
曲目手记
原文
"Fortress" - Liner Notes - March 27, 2001
"This track invites the player into the snowy, violent world of our expansion pack. The barbarians and their endless war against the forces of evil required something that explored the lyrical side of the orchestra without becoming too feminine or frilly. Though people here at the office teased me with tortured renditions of Luke Skywalker monologues while mixing this one down, the direct influences on this were a bit more highfalutin'. A variety of operatic scores provided inspiration for the textures and pacing which I hoped to achieve in the all-important "town" theme. The use of pentatonic themes in Debussy's Peleas and Melisande deserves a special mention as a nice model for what I wanted to do harmonically. The pentatonic scale (the black keys on a piano) was the ideal sound for the barbarians, as it suggests all of the qualities we associate with the classic image of a warrior--primitive but grounded and not prone to extreme emotional extremes. This simple melodic framework provides a nice contrast to the chromatic writing found in the unpredictable world that awaits our heroes later on in the quest to destroy Baal and his nasty minions. Conductor Kirk Trevor and the Slovak Radio Symphony Orchestra hit this one out of the park, with the violins and horns making good use of the spotlight."
中文译文
“要塞”手记 · 2001 年 3 月 27 日
“这首曲子把玩家引入我们资料片那个白雪皑皑、充满暴力的世界。野蛮人以及他们与邪恶势力无休止的战争,需要一种能展现管弦乐队抒情一面、又不至于太过阴柔花哨的东西。虽然混音时办公室里的人用折磨人的《星球大战》卢克·天行者独白段子来打趣我,但这首曲子的直接影响其实更“高大上”一些。各种歌剧配乐为我在这首至关重要的“城镇”主题中所追求的质感与节奏提供了灵感。德彪西《佩利亚斯与梅丽桑德》中五声音阶主题的运用值得一提,它是我在和声上想达到的目标的绝佳范本。五声音阶(钢琴上的黑键)是野蛮人的理想音色,因为它暗示了我们对经典战士形象的所有联想——原始,但脚踏实地,不倾向情绪极端。这个简单的旋律框架,与英雄们后来在摧毁巴尔及其邪恶爪牙的征途中、那个不可预测世界里出现的半音化写作形成了很好的对比。指挥柯克·特雷弗和斯洛伐克广播交响乐团把这首曲子演奏得出神入化,小提琴和圆号充分利用了聚光灯。”
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哈洛加斯听着想哭😭